The Ocu­lar Proof”, Acta Inter­na­tional, Rome, National Cen­ter of Pho­tog­ra­phy, Bombay

Cor­riere della Sera, La Repub­blica, Rome
Indian Express, Nya­tee, Bom­bay

Her tech­nique coom­bines draw­ing and pho­to­graphic imagery in a lam­bent blaze of color, and looks as though it could have been exe­cuted by means of com­puter imag­ing but was not…Goldring’s work is lit­er­ally a con­struc­tion of real­ity, per­cep­tion, and imag­i­na­tion. Its power lies in its easy per­sua­sion of the viewer to enter into the world cre­ated in the pic­tures, or to imag­ine that world as over­lap­ping with the quo­tid­ian one of actual expe­ri­ence.”  — Ellen Handy


The Ocular Proof